Título: El Toque Mágico (versión acústica)
Grupo: Tex-Tex
Albúm: Los Muñecos Desenchufados
TRANSCRITA por: Israel -Liras- Noriega
eMail: liras123@gmail.com
ACOMPAÑAMIENTO:
INTRO:
||: C#m, C#m, F#m, Bsus4 :||
||: C#m, C#m, F#m, Bsus4 :||
(yeoh, yeoh)
ESTROFA:
C#m
El viernes por la tarde
F#m Bsus4
me encamino a mi hogar;
C#m
Me subo al autobús
Ab
que lleno, que lleno va;
A E Abm,Gm,F#m
El operador me esta cobrando de más
B C#m
ya no digo nada, lo que quiero es llegar.
C#m
Encuentro a mis papás
F#m Bsus4
con ganas de pelear;
C#m
Oye entiéndeme;
Ab
no estoy de buen de humor;
A
Me salgo a la calle
E Ab, G, F#m
Y no hay con quien hablar;
F#m
Y miro a todas partes
B C#m
y no se que buscar.
CORO:
E B
Tal vez necesite un toque mágico
E B
algo que en mi vida quizás me hará cambiar;
E B
Tal vez necesite un toque mágico, mágico
E B
algo que en mi vida quizás me hará cambiar.
Ab... Absus4... Ab... Absus4...
SOLO: (transcripción del solo en la parte inferior)
||: C#m, C#m, F#m, Bsus4 :||
|| C#m,C#m,Ab,A,E,Ab,Gm,F#m,B,C#m ||
||: C#m, C#m, F#m, Bsus4 :||
|| C#m,C#m,Ab,A,E,Ab,Gm,F#m,B,C#m ||
ESTROFA:
C#m
El viernes por la tarde, déjenme decirles que yo
F#m Bsus4
me encamino a mi hogar;
Dm
Me subo al autobús
Ab
Dios mio que lleno va;
A E Abm,Gm,F#m
El operador me empieza a maltratar
Bsus4 C#m
ya no digo nada, lo que quiero es llegar.
C#m
Encuentro a mis papás
F#m Bsus4
con ganas de pelear;
C#m
Oye entiéndeme;
Ab
no estoy de buen de humor;
A
Me salgo a la calle
E Ab, G, F#m
Y no hay con quien hablar;
F#m
Y miro a todas partes
B C#m
y no se que buscar.
CORO:
E B
Tal vez necesite un toque mágico
E B
algo que en mi vida quizás me hará cambiar;
E B
Tal vez necesite un toque mágico, mágico
E B
algo que en mi vida quizás me hará cambiar.
Tal vez necesite...
-----------------------------------------------------
Si no conoces alguno de los acordes, tal vez el
Bsus4, puedes buscarlos en:
http://www.8notes.com/guitar_chord_chart/
------------------------------------------------------
SOLO DE GUITARRA:
NOTA: La afinación en la versión CD está medio tono
abajo, pero aquí he usado afinación "estándar" por
lo cual las cuerdas al aire difieren al sonido del
disco, pero unicamente son 2 notas fantasma.
1)------------------------------------|
2)------------------------------------|
3)------------------4-6---------------|
4)---------------/6--------------2----|
5)-------2-4-----------------2-4------|
6)-----4-------------------4----------|
|-------------------------/11-9---|
|-----------------/9-7--(0)-------|
|---------(0)8-6------------------|
|---------------------------------|
|---------------------------------|
|-5-------------------------------|
|------------------------------------|
|------------------------------------|
|------------------4-6---------------|
|---------------/6--------------2----|
|-------2-4-----------------2-4------|
|-----4-------------------4----------|
|-----------------------------------|
|-----------------------------------|
|-----------------------------------|
|--------------------9-11-9----11---|
|---------------9-11----------------|
|-5---------/12---------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|----9b9.5--------------9b9.5----9b9.5----9b9.5-9b9.5----|
|-11--------11------/11-------11-------11----------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
Aquí el 9.5 indica un bend de 1/4 de tono en traste 9
~
|---------------------------------------------|
|---------------------------------------------|
|----9-11b13--11b13r=11-9---------9----9-8----|
|-11-----------------------11--11---11--------|
|---------------------------------------------|
|---------------------------------------------|
|---------------------------|
|---------------------------|
|-8--9p8---------------9----|
|--------11-11p9----11------|
|----------------11---------|
|---------------------------|
|---------------------------------------------------------|
|---------------12----------------------------------------|
|----9-11b13===(11)r11-9-9p=8---------------9-11--8--8----|
|-11--------------------------11-11p9----11---------------|
|-------------------------------------11------------------|
|---------------------------------------------------------|
|--------------------------------|
|--------------------------------|
|------9------9------9------9----|
|-9h11---9h11---9h11---9h11------|
|--------------------------------|
|--------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|------9------9------9------9--8--8--8----|
|-9h11---9h11---9h11---9h11---------------|
|-----------------------------------------|
|-----------------------------------------|
~
|-------------------------------------|
|-------------------------------------|
|-9p8---------------------------------|
|-----11-x-11p9----9------------------|
|---------------11---11-9-11p9--------|
|------------------------------12-9---|
|-------------------------------|
|-------------------------------|
|-------------------------------|
|--------------------9----11----|
|----------7-9-9s11----11-------|
|-/7-4-7-9----------------------|
|-------------------------------------------|
|------------12-----------------------------|
|-9-11b13===(11)r11--11-9----11-9-----------|
|-------------------------11-------11-11----|
|-------------------------------------------|
|-------------------------------------------|
|----------------------------------------------------------|
|----------------------------------------------------------|
|------9-9--11b13r11-9--11b13-11b13r=11-9------------------|
|-9h11------------------------------------11-9-------------|
|----------------------------------------------11--10-9----|
|----------------------------------------------------------|
|------------------------------|
|------------------------------|
|--------------9------9-9------|
|---------9-11----11-----------|
|------11----------------------|
|-12-9-------------------------|
|----------------------------------------------------|
|-9-10-12-10-9----9----------------------------------|
|--------------11---9--8-9-8--------------9--9-------|
|----------------------------11-9----9h11------11----|
|---------------------------------11-----------------|
|----------------------------------------------------|
~~
|--------------------------------------------------------|
|---------------12---12---12---------12------------------|
|-9-11-11b13===(11)-(11)r(11)-11b13=====11b13r11-9-------|
|--------------------------------------------------11----|
|--------------------------------------------------------|
|--------------------------------------------------------|
~ ~
|------------------|
|------------------|
|-9------9----8----|
|-----11---11------|
|------------------|
|------------------|
|----------------------------------|
|----------------------------------|
|-9p8----8-------------------------|
|-----11---11-9----9---------------|
|---------------11---11-10---------|
|--------------------------12-9----|
Tablature Legend
----------------
h - hammer-on
p - pull-off
B - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
n/ - tremolo bar dip; n = amount to dip
n - tremolo bar down
n/ - tremolo bar up
/n - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell [louder/softer]
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar [ending]
: - bar (freetime)
$ - Segno
& - Coda
TRANSCRITA por: Israel -Liras- Noriega liras123@gmail.com